It's the fourth day of spring. I had so many plans for the day, but you know how it goes – plans go out the window when you are re-connecting with all of the precious things that you've missed.

Traveling as much as I do, I try to do everything at once when I get home and then I only get bits and pieces done. I sort of get distracted.

The worst thing is the cooking. I mean, I love food, but I don't want to cook it. I sort of just want it to appear like it does when I travel.

We have 13 children and cooking for 15 every day was a big part of the day. (well cooking and shopping) Now I figure I’ve retired from cooking.

Govind and I are working on the tours for next year and it promises to be a year of interesting travel.

Studying textiles in North India, Central India, Uzbekistan Morocco, England, Thailand, Vietnam, Gujarat, this offers a unique opportunity to delve into these countries' rich traditions and cultural heritage. Each of these nations has a distinct history of textile production, with unique techniques, patterns, and aesthetics passed down through generations.

In India, for example, one can explore the intricate art of block printing, embroidery, and weaving, which varies from region to region. Thai textiles are known for their vibrant colors and intricate designs, often featuring motifs inspired by nature and Buddhist symbolism. Vietnam's textile traditions are rooted in craftsmanship, with a focus on silk production and weaving techniques that showcase the country's skillful artisans.

Morocco's textiles are heavily influenced by the intermingling of Arabic, Berber, and European cultures, resulting in a diverse array of styles and patterns, including the famous Moroccan carpets. On the other hand, Uzbekistan is renowned for its traditional ikat fabrics, characterized by their bold, blurred patterns created through meticulous dyeing and weaving.

Studying textiles in these countries provides a window into the cultural, historical, and social significance of textile traditions, offering a unique opportunity to learn from master artisans and gain insights into the global textile industry.

We are excited to announce that a fresh collection of Jackets is set to launch soon. Allow me to delve into the process behind their creation.

My colleague, Govind, and I personally handpick vintage quilts that we believe are ideal for crafting the Jackets. These quilts consist of 6 layers of vintage saris, with entirely distinct patterns on the front and back.

We sift through hundreds of quilts at a time, selecting only the finest ones. I am particularly discerning when it comes to the quality and quilting of the fabric. While you may come across cheaper alternatives on the market, they do not measure up to the vintage authenticity and superior quality of our garments.

Once we have chosen the designs, I take charge of selecting the patterns for the suzani embroidery and the color palette to be employed. It has been a gradual process to align the team with my vision, but with Govind's assistance, we are now in the process of arranging professional photography for the Jackets.

While visiting Mexico, I met a woman and took her photo. I used an app to edit the photo, but unfortunately, I no longer have access to that app. Nevertheless, I still have the modified image. I am excited to use this design to create a quilt. My plan is to first sketch the image and then use Indian sutee plain fabric as the applique pieces. I might even dye some of the fabric myself, which I believe will add an extra layer of personalization to the project. Sutee fabric, also known as Rubia fabric, is a type of very fine pure cotton. It is commonly used by Indian women to make the blouses worn under their saris.

Traveling as a single or older person